
TO THE BOERS.
TO YE FIGHTING LORDS OF LONDON TOWN.
MOTHER EGYPT.
ANGLO-SAXON ALLIANCE.
INDIA AND THE BOERS.
AT THE CALEND’S CLOSE.
AS IT IS WRITTEN.
TO OOM PAUL KRUGER.
USLAND TO THE BOERS.
THAT USSIAN OF USLAND.
A vivid, polemical poem opens this work, casting the Boer struggle as a sacred battle for liberty. Drawing on biblical allusions and martial imagery, the verses present the farmers‑turned‑fighters as guardians of a divinely‑ordained homestead, while sharply criticizing distant powers that profit from war. The language is urgent and lyrical, weaving together images of swords, ploughshares, and mournful mothers to convey both the pride of resistance and the grief of loss.
The poem’s structure unfolds as a series of impassioned appeals, moving from earnest exhortations to the Boer community toward a broader indictment of imperial authority. Listeners are drawn into a world where personal sacrifice meets political conviction, hearing the echo of chants that echo across battlefields and candlelit homes alike. By the close of the opening act, the piece has established a powerful, morally charged portrait of a people fighting for their land and identity, setting the tone for the further reflections that follow.
Language
en
Duration
~23 minutes (22K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: The Whitaker & Ray Company, 1900.
Credits
Tim Lindell, David E. Brown, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2023-10-16
Rights
Public domain in the USA.

1837–1913
A colorful poet-adventurer of the American West, he turned frontier landscapes and larger-than-life stories into verse that won him fame as the "Poet of the Sierras." His work helped shape a romantic image of the West for readers in both the United States and Britain.
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