Chambers's Journal of Popular Literature, Science, and Art, No. 680 January 6, 1877

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Chambers's Journal of Popular Literature, Science, and Art, No. 680 January 6, 1877

by Various Authors

EN·~1 hours·10 chapters

Chapters

10 total
1

CHAMBERS'S JOURNAL OF POPULAR LITERATURE, SCIENCE, AND ART.

0:03
2

CONTENTS

0:04
3

THE LAST OF THE HADDONS.

16:54
4

ITALIAN BRIGANDAGE.

14:04
5

WITS AND WITTICISMS.

16:34
6

RURAL LIFE IN FRANCE.

17:24
7

A CURATE'S HOLIDAY.

17:23
8

CHILDREN'S TROUBLES.

14:16
9

THE BECHE-DE-MER.

6:12
10

EDITORIAL NOTE.

1:28

Description

A gloomy, aging townhouse on a respectable Westminster street sets the stage, its faded grandeur hinted at by massive doors and an over‑grown iron wreath. A determined visitor arrives, clutching a card and a purpose, only to be met by a stern housekeeper and a reluctant, engaged Mr Wentworth who seems intent on keeping intruders at bay. The atmosphere is thick with the scent of old carpets, worn blinds, and the quiet rustle of countless volumes scattered across a large library table.

Inside the study, the room is a paradox of decay and refinement: shabby furnishings sit beside fine carved pieces, and towering stacks of books suggest a mind steeped in literature. As the narrator presses forward, offering polite flattery and a plea for a brief interview, the tension between curiosity and resistance builds, promising a tale of hidden motives and the secrets that linger within the house’s shadowed walls.

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Details

Full title

Chambers's Journal of Popular Literature, Science, and Art, No. 680 January 6, 1877 January 6, 1877

Language

en

Duration

~1 hours (100K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Susan Skinner and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2014-08-25

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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