Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 9, Vol. I, March 1, 1884

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Chambers's Journal of Popular Literature, Science, and Art, Fifth Series, No. 9, Vol. I, March 1, 1884

by Various Authors

EN·~1 hours·7 chapters

Chapters

7 total
1

CHAMBERS’S JOURNAL OF POPULAR LITERATURE, SCIENCE, AND ART.

0:13
2

BIRDS OF SPRING.

35:36
3

CALLS BEFORE THE CURTAIN.

19:29
4

THE MINER’S PARTNER.

17:44
5

CURIOSITIES OF THE ELECTRIC LIGHT.

17:54
6

HUSH-MONEY.

7:15
7

DONALD—A PONY.

1:59

Description

A warm, lyrical tribute to the arrival of spring’s feathered guests, this essay draws listeners into the quiet unfolding of buds and songs that herald the season. The author paints the countryside with gentle precision, describing how hawthorn and willow awaken, inviting swallows, nightingales and cuckoos to fill the air with their distinct choruses. Readers are invited to share the simple wonder of early mornings when the first wagtail darts across farmyard walls, signaling the end of winter’s bite.

The piece goes beyond poetry, offering keen natural observations of migration routes and habits that still feel fresh today. From the swift, white‑tailed wheatear that seems to tumble from the night sky to the steady return of swallows along familiar hedgerows, each bird becomes a marker of the landscape’s rhythm. Listeners will come away with a deeper appreciation for the subtle clues that herald life’s renewal across England’s fields and gardens.

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Details

Language

en

Duration

~1 hours (96K characters)

Publisher of text edition

Project Gutenberg

Credits

Susan Skinner, Eric Hutton and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2021-11-23

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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