Chambers's Journal of popular literature, science, and art, fifth series, no. 133, vol. III, July 17, 1886

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Chambers's Journal of popular literature, science, and art, fifth series, no. 133, vol. III, July 17, 1886

by Various Authors

EN·~1 hours·7 chapters

Chapters

7 total
1

CHAMBERS’S JOURNAL OF POPULAR LITERATURE, SCIENCE, AND ART.

0:10
2

MODERN SLAVERY.

16:33
3

IN ALL SHADES.

19:21
4

SOME PET LIZARDS.

24:00
5

WHERE THE TRACKS LED TO.

19:09
6

A TALE OF NASEBY FIELD.

18:36
7

THE GORSE.

1:57

Description

A striking essay opens by exposing a form of modern slavery that hides behind the polished windows of city shops. While factories are beginning to feel the bite of new regulations, the author points out that shop‑assistants endure far longer days, forced to stand for twelve hours with scant breaks and minimal nourishment. The piece draws a vivid contrast between the few enlightened employers who offer humane conditions and the overwhelming majority whose practices amount to relentless exploitation.

The writing moves from factual description to a quiet appeal for public conscience, urging listeners to imagine the stale, cramped air and the crushing monotony those workers face each day. It highlights how legislation can protect some but leaves countless hands vulnerable to the whims of new owners. In a tone that is both analytical and compassionate, the essay invites reflection on how a society’s “conservatism” may mask deeper injustices that still demand attention.

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Details

Language

en

Duration

~1 hours (95K characters)

Publisher of text edition

Project Gutenberg

Original publisher

Edinburgh: William and Robert Chambers, 1853.

Credits

Susan Skinner, Eric Hutton and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2023-12-30

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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