
audiobook
CHAMBERS' EDINBURGH JOURNAL - PRESERVED MEATS AND MEAT-BISCUITS.
THE BUYER OF SOULS: - A Russian Story.
SPELLING-BOOK VERSUS HORN-BOOK.
A FEW WORDS ABOUT ROOMS AND THEIR ORNAMENTS.
INVESTMENTS!
THE OSTRICH.
PROGRESS OF THE UNITED STATES.
EFFECT OF THE EARTH'S ROTATION ON LOCOMOTION.
FOREST SCENERY OF AMERICA.
THE BETTER THOUGHT.
The opening of this lively 19th‑century essay captures the public’s brief obsession with the mystery of preserving meat for long voyages and campaigns. It recounts a whirlwind of newspaper reports, parliamentary hearings and scientific committees, all buzzing about how to keep provisions from spoiling on distant seas. The writer reminds listeners why the topic matters, not just for naval stores but for any group facing harsh, remote conditions.
Moving from headlines to the chemistry of decay, the piece explains in plain terms how organic matter breaks down when air, heat and moisture attack. It introduces the elusive “vital principle” that keeps living tissue intact, then shows how its loss triggers a cascade of chemical changes. The author uses familiar examples—starch turning into sugar, malt becoming beer—to illustrate these transformations.
Finally, the essay points to nature’s own tricks, from frozen Siberian beasts to icy fish markets, as models for human preservation. It describes how early innovators packed meat in ice and snow, offering a practical glimpse into the era’s inventive solutions for keeping food safe and edible far from home.
Full title
Chambers's Edinburgh Journal, No. 460 Volume 18, New Series, October 23, 1852 Volume 18, New Series, October 23, 1852
Language
en
Duration
~2 hours (121K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Malcolm Farmer, Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
2008-01-04
Rights
Public domain in the USA.
Subjects
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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