Chambers's Edinburgh Journal, No. 454 Volume 18, New Series, September 11, 1852

audiobook

Chambers's Edinburgh Journal, No. 454 Volume 18, New Series, September 11, 1852

by Various Authors

EN·~2 hours·10 chapters

Chapters

10 total
1

CHAMBERS' EDINBURGH JOURNAL - MONETARY SENSATIONS.

14:07
2

THE POSTHUMOUS PORTRAIT.

27:25
3

SAMPLES OF UNCLE SAM'S 'CUTENESS.

25:22
4

MRS GRIMSHAWE'S TREATISE ON HOLDFASTS.

17:32
5

A DAY'S PLEASURING IN INDIA.

13:27
6

THE LONDON PRISONS OF THE LAST CENTURY.

14:27
7

LIFE-ASSURANCE OFFICES OF RECENT DATE.

3:03
8

ANECDOTE OF BURNS IN THE '93.

4:21
9

CURIOUS EXPERIMENT IN WOOL-GROWING.

4:16
10

A DIRGE OF LOVE.

1:45

Description

This thoughtful essay explores how money is felt rather than merely possessed, tracing the lively “monetary sensations” that accompany every notch on a purse string. From a stray dog’s fleeting glimpse of a brown coin to the complacent ease of the wealthy, the writer shows how the experience of cash can be as vivid as a shock of cold water when it disappears.

The piece then turns to the everyday struggles of those who earn, save, and spend with their hands and minds, describing the rituals of counting change, the pride of a child’s secret hoard, and the quiet triumphs of modest gains. By weaving personal anecdotes with broader social observation, it invites listeners to reconsider the humble paper and metal that shape our lives, offering both humor and insight without revealing the story’s later twists.

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Details

Full title

Chambers's Edinburgh Journal, No. 454 Volume 18, New Series, September 11, 1852 Volume 18, New Series, September 11, 1852

Language

en

Duration

~2 hours (120K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Malcolm Farmer, Richard J. Shiffer and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2007-09-16

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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