Chambers's Edinburgh Journal, No. 418 Volume 17, New Series, January 3, 1852

audiobook

Chambers's Edinburgh Journal, No. 418 Volume 17, New Series, January 3, 1852

by Various Authors

EN·~2 hours·12 chapters

Chapters

12 total
1

CHAMBERS' EDINBURGH JOURNAL - CONDUCTED BY WILLIAM AND ROBERT CHAMBERS, EDITORS OF 'CHAMBERS'S INFORMATION FOR THE PEOPLE,' 'CHAMBERS'S EDUCATIONAL COURSE,' &c.

0:14
2

A CHILD'S TOY.

17:10
3

JAMES FENIMORE COOPER.

21:19
4

WHY DOES THE PENDULUM SWING?

15:15
5

THE COUNTRY COUSIN.

19:40
6

THE DROLLERIES OF FALSE POLITICAL ECONOMY. - WINES AND OTHER LIQUORS.

16:01
7

FAMILY LIFE IN A NEGRO TOWN.

25:33
8

THE COMMERCIAL PORTS OF ENGLAND.

3:51
9

AN UNFORTUNATE MAN.

0:55
10

SLOW BUT SURE.

1:31

Description

The listener is welcomed into a tranquil twilight where a paper kite drifts among soft clouds, its silent ascent stirring a quiet wonder. The narrator’s gaze lingers on the simple toy, drawing a gentle meditation on how a fragile object can lift the spirit toward the heavens. This serene observation unfolds along a quiet country road, inviting a sense of calm curiosity.

From that meditative moment the piece turns to a lively recounting of a young American boy in 1752, whose homemade kite became the catalyst for a startling discovery. Using a key‑tied string and a stormy sky, he feels the electric spark that thrills and terrifies, hinting at the daring experiments of Benjamin Franklin. The narrative weaves humor with scientific intrigue, sketching the early days of electricity without losing its playful tone.

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Details

Full title

Chambers's Edinburgh Journal, No. 418 Volume 17, New Series, January 3, 1852 Volume 17, New Series, January 3, 1852

Language

en

Duration

~2 hours (120K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Malcolm Farmer, Sandra Brown and the Online Distributed Proofreading Team.

Release date

2004-10-25

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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