Castle Craneycrow

audiobook

Castle Craneycrow

by George Barr McCutcheon

EN·~7 hours·33 chapters

Chapters

33 total

CASTLE CRANEYCROW - By George Barr McCutcheon - NEW YORK - 1902

0:04

CASTLE CRANEYCROW

0:01

I. THE TAKING OF TURK

7:50

II. SOME RAIN AND ITS CONSEQUENCES

3:49

III. PRINCE UGO

9:10

IV. AND THE GIRL, TOO

9:56

V. A SUNDAY ENCOUNTER

5:03

VI. DOROTHY GARRISON

9:17

VII. THE WOMAN FROM PARIS

15:41

VIII. THE FATE OF A LETTER

15:17

Description

In a bustling turn‑of‑the‑century city, the polished yet oddly philosophical Philip Quentin encounters a desperate burglar in the middle of the night. Rather than delivering the intruder to the authorities, Quentin offers him food, a coat and a strangely courteous conversation, turning a would‑be crime into an unexpected dinner invitation. Their banter reveals Quentin’s unconventional view that the mind can outwit the body, while the thief, known only as Turk, wrestles with bewilderment and a growing curiosity about his captor’s motives.

As the two men share a meal in a quiet all‑night eatery, the atmosphere shifts from tension to an odd camaraderie. Quentin’s calm generosity hints at a larger scheme hidden behind the walls of his stately home, Castle Craneycrow, and Turk finds himself drawn into a world where loyalty, wit, and a touch of eccentricity may be more valuable than any stolen loot. The opening sets the stage for a playful yet intricate tale of unlikely alliances and the mysteries that await within the castle’s looming corridors.

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Details

Language

en

Duration

~7 hours (426K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Charles Aldarondo and David Widger

Release date

Mar 1, 2004

Rights

Public domain in the USA.

About the author

George Barr McCutcheon

George Barr McCutcheon

1866–1928

Best known for whisking readers away to the imaginary kingdom of Graustark and for the comic premise behind Brewster's Millions, this Indiana-born novelist wrote fast-paced popular fiction that traveled widely beyond the page. His stories mixed romance, adventure, and light satire in a way that helped define early twentieth-century entertainment.

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