
CARNET D'UN INCONNU - (STÉPANTCHIKOVO)
PREMIÈRE PARTIE I INTRODUCTION II MONSIEUR BAKHTCHEIEV III MON ONCLE IV LE THÉ V ÉJÉVIKINE VI LE BOEUF BLANC ET KAMARINSKI LE PAYSAN VII FOMA FOMITCH VIII DÉCLARATION D'AMOUR IX VOTRE EXCELLENCE X MIZINTCHIKOV XI UN GRAND ÉTONNEMENT XII LA CATASTROPHE SECONDE PARTIE I LA POURSUITE II NOUVELLES III LA FÊTE D'ILUCHA IV L'EXIL V FOMA FOMITCH ARRANGE LE BONHEUR GÉNÉRAL VI CONCLUSION - PREMIÈRE PARTIE - I INTRODUCTION
II MONSIEUR BAKHTCHEIEV
III MON ONCLE
IV LE THÉ
V ÉJÉVIKINE
VI LE BOEUF BLANC ET KAMARINSKI LE PAYSAN
VII FOMA FOMITCH
VIII DÉCLARATION D'AMOUR
IX VOTRE EXCELLENCE
A quiet village becomes the stage for a modest yet vivid portrait of a retired colonel who, after a long military career, settles in Stépantchikovo to live as a country gentleman. Tall, athletic, with a booming laugh and a generous heart, he embraces his new life alongside his young son and his teenage daughter, who arrives from a Moscow boarding school after a family tragedy. Their modest manor quickly fills with the bustling rhythm of servants, dogs, and the daily chores of a small community, offering a glimpse of an almost idyllic rural existence.
Beneath the tranquil surface, familial tensions begin to stir. The colonel’s mother—once a formidable general—objects to his plans for marriage, accusing him of selfishness while wrestling with her own loneliness and past grievances. As strangers and relatives arrive, each bearing their own quirks and hidden motives, the household teeters between harmonious generosity and the inevitable strains of duty, pride, and unspoken resentments, promising a compelling exploration of character and conscience.
Full title
Carnet d'un inconnu (Stépantchikovo) (Stépantchikovo)
Language
fr
Duration
~7 hours (441K characters)
Publisher of text edition
Project Gutenberg
Release date
2005-04-05
Rights
Public domain in the USA.

1821–1881
Best known for intense, searching novels about guilt, freedom, faith, and moral choice, this giant of Russian literature brought unusual psychological depth to fiction. His stories still feel alive because they press hard on the questions people struggle with most.
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