
audiobook
Transcriber’s Note: If you’re following these issues in order, we jump straight from No. 25 (October 1921) to this No. 27 (November 1921). Subsequent issues continue the numbering from here. No. 26 doesn’t seem to exist at all.
Captain Billy’s Whiz Bang, Vol. III. No. 27, November, 1921
STATEMENT OF THE OWNERSHIP, MANAGEMENT, CIRCULATION, ETC., REQUIRED BY THE ACT OF CONGRESS OF AUGUST, 24, 1912. Of Captain Billy’s Whiz Bang, published monthly at Robbinsdale, Minnesota, for October 1, 1921.
Drippings From the Fawcett
Questions and Answers
Movie Hot Stuff
Limber Kicks
Sporty New Orleans
Whiz Bang Editorials
Smokehouse Poetry
A quirky snapshot of early‑1920s America, this issue opens with a surprisingly formal statement of ownership that feels more like courtroom drama than a comedy magazine. The editor—an ex‑soldier turned wanderer—uses the legal preamble as a springboard into a lively tour of the country, from Midwestern farms to Hollywood studios, peppered with half‑serious musings and tongue‑in‑cheek observations about everything from a prized pedigree bull to the latest film scandals.
The pages that follow are a lively collage of jokes, short verses, and gossip‑laced essays that capture the unpretentious humor of a time when a 25‑cent subscription promised a year of witty commentary. Listeners will enjoy the blend of slapstick anecdotes, satirical takes on politics, and playful ribbing of popular culture, all delivered in the breezy, folksy voice that made the magazine a favorite among everyday readers seeking a light‑hearted escape.
Full title
Captain Billy's Whiz Bang, Vol. 3, No. 27, November, 1921 America's Magazine of Wit, Humor and Filosophy America's Magazine of Wit, Humor and Filosophy
Language
en
Duration
~1 hours (80K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Edwards and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2020-04-18
Rights
Public domain in the USA.
This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.
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