
audiobook
by Nino Martoglio, Luigi Pirandello
NINO MARTOGLIO E LUIGI PIRANDELLO
'A VILANZA (La Bilancia) CAPPIDDAZZU PAGA TUTTU
CAPPIDDAZZU PAGA TUTTU Commedia in tre atti con le maschere di Pirandello e Martoglio
PERSONAGGI
ATTO PRIMO
ATTO SECONDO - SCENA I.
ATTO TERZO - SCENA I.
LA COMMEDIA
Nota del Trascrittore
A sparkling three‑act comedy set in a bustling Sicilian town, this play bursts with vivid, dialect‑rich dialogue that captures the humor and tension of everyday life. The cast ranges from the weary yet sharp‑eyed Don Nzulu Ventura to the flamboyant, scheming Donna Pràzzita, each rendered with distinct quirks that spring from the island’s colorful social fabric. Early scenes weave together family rivalries, flirtations, and the absurdities of local ambition, all under the watchful eye of the oversized, dark‑capped “Cappiddazzu” figure who looms as both costume and commentary.
The work balances quick‑paced banter with moments of heartfelt confession, inviting listeners to feel the pulse of Sicilian street theater. Its vivid character sketches—like the impulsive Tidda Spina and the elegant, carefree Don Liddu—anchor the story while the regional idiom adds layers of authenticity. Even before the story moves beyond the first act, the audience is drawn into a lively portrait of community, pride, and the petty battles that define it.
Full title
Cappidazzu paga tuttu Teatro dialettale siciliano volume settimo Teatro dialettale siciliano volume settimo
Language
it
Duration
~2 hours (124K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Carlo Traverso, Claudio Paganelli, Barbara Magni and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2011-04-10
Rights
Public domain in the USA.

1870–1921
A lively Sicilian voice of the late 19th and early 20th centuries, he helped bring dialect poetry and theater to a wide audience. His work moved easily between journalism, stage writing, and early cinema, always with a strong feel for local character and spoken language.
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1867–1936
Best known for turning questions of identity and illusion into gripping drama, this Nobel Prize-winning Italian writer helped reshape modern theater. His stories and plays often ask who we really are when every person sees us differently.
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by Luigi Pirandello

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