
ILLUSTRATIONS
BREAKING INTO THE MOVIES
Breaking Into the Movies - CHAPTER I INTRODUCTION
CHAPTER II WHAT THE JOBS ARE
CHAPTER III ACTING FOR THE SCREEN
CHAPTER IV WOULD YOU FILM WELL?
CHAPTER V MAKE-UP
CHAPTER VI HOW TO DRESS FOR A PICTURE
CHAPTER VII MOVIE MANNERS
CHAPTER VIII READING YOUR PART
A lively, behind‑the‑curtain look at the early Hollywood machine, this work explains why the promise of stardom draws crowds of hopefuls while the studios themselves wrestle with a paradox of supply and demand. Through witty anecdotes and sharp observations, the author shows how producers once clung to established names, fearing the risk of new talent, and how that caution drove up costs for the whole industry. The narrative paints a vivid picture of the frantic scramble that follows a simple newspaper ad promising a chance to look like Mary Pickford.
The book then turns to the modern shift, where larger companies finally recognize the need to cultivate fresh blood and begin experimenting with programs for beginners. It also holds a mirror to the aspirants, exposing their vague ambitions and the reality that filmmaking is a complex, disciplined profession, not a shortcut to riches. Listeners will come away with a clearer sense of what it truly takes to get that first foot on a set.
Language
en
Duration
~3 hours (178K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Suzanne Shell, Ernest Schaal, and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Feb 15, 2018
Rights
Public domain in the USA.

1874–1956
A stage actor turned silent-film director, he helped shape early Hollywood and worked closely with writer Anita Loos on a string of popular screen projects. His career stretched from the theater to major studio films, linking the stage traditions of the 1900s with the growing movie business.
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1893–1981
A razor-sharp wit of early Hollywood, she helped shape screenwriting as one of the first women on the job and became famous for the sparkling satire of Gentlemen Prefer Blondes. Her work moved easily between silent films, novels, Broadway, and memoir, always with a keen eye for performance and social comedy.
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