
PERSONS
PERSONS
BORGIA - ACT I - SCENE I
ALEXANDER.
ENVOY.
ALEXANDER.
ENVOY.
ALEXANDER.
ENVOY.
ALEXANDER.
In a richly staged Vatican chamber, Pope Alexander VI drifts his fingers through a coffer of pearls, each glittering token a symbol of the wealth and ambition that drive his family. An envoy from Naples arrives with a delicate proposal: a marriage that could bind the Pope’s daughter Lucrezia to a noble ally and secure a new principality for his son Cesare. The dialogue crackles with political wit, as the Pope balances sacred vows against the lure of secular power, hinting at the dangerous games that underlie his papacy.
Around the same table, a parade of cardinals, dukes, and courtiers—among them the scheming Cesare, the reluctant Don Alfonso, and the charismatic envoys—jostle for influence. Their conversations reveal a world where religious titles double as political passports, and where promises of wealth and marriage mask deeper rivalries. As alliances are sworn and betrayals whispered, listeners are drawn into the intoxicating swirl of Renaissance intrigue that will shape the Borgia saga.
Language
en
Duration
~3 hours (217K characters)
Publisher of text edition
Project Gutenberg
Credits
Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images available at The Internet Archive)
Release date
2021-05-08
Rights
Public domain in the USA.

Behind this name were two Victorian writers working as one: Katharine Bradley and Edith Cooper, whose poetry and verse dramas gave "Michael Field" an unusual, collaborative life. Their work is now remembered for its artistic ambition, close creative partnership, and distinct place in late 19th-century literature.
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