Blackwood's Edinburgh Magazine, Volume 58, Number 358, August 1845

audiobook

Blackwood's Edinburgh Magazine, Volume 58, Number 358, August 1845

by Various Authors

EN·~8 hours·10 chapters

Chapters

10 total

BLACKWOOD'S - EDINBURGH MAGAZINE. - No. CCCLVIII. AUGUST, 1845. VOL. LVIII.

0:55

ON PUNISHMENT.

48:35

REFERENCES.

1:09

PÚSHKIN, THE RUSSIAN POET - No. III.

45:10

MARSTON; OR, THE MEMOIRS OF A STATESMAN. - PART XVIII.

1:08:39

A LETTER FROM LONDON.

45:07

PRIESTS, WOMEN, AND FAMILIES.

53:27

MY COLLEGE FRIENDS. - No. II.

55:57

ZUMALACARREGUI.

1:22:59

NORTH'S SPECIMENS OF THE BRITISH CRITICS. - No. VII.

1:41:53

Description

Step into the world of mid‑Victorian thought with this rich selection from an 1845 Edinburgh periodical. The centerpiece, an essay on punishment, wrestles with the paradox of discipline and reform, weighing the harshness of penal law against emerging humanitarian ideas. Alongside it, you’ll find a lively literary debate on the poet Pushkin, a serialized memoir of a statesman, and a vivid railway witness’s letter from London, each voice echoing the concerns and curiosities of its time.

Complementing these essays are pieces on family life, a portrait of the Basque guerrilla Zumalacárregui, and a sharp critique of contemporary British criticism. Together, they offer a snapshot of the era’s culture, politics, and moral inquiry, inviting listeners to hear the cadence of 19th‑century debate and the ink‑stained passions that shaped modern thought.

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Details

Language

en

Duration

~8 hours (483K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Brendan OConnor, Neville Allen, Jonathan Ingram and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.)

Release date

2009-01-16

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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