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Transcriber's Note
BLACKWOOD’S EDINBURGH MAGAZINE. - No CCCXLIV. JUNE, 1844. VOL. LV.
BLACKWOOD’S EDINBURGH MAGAZINE. - No CCCXLIV. JUNE, 1844. VOL. LV. - TRADITIONS AND TALES OF UPPER LUSATIA. - No. I. The Fairies’ Sabbath.
A.—Aboriginal.
B.—Latin speaking.
C.—German and Latin mixed.
GERMAN TRADITIONS. - No. CCXX. The Queen of the Snakes.
No. LXVIII. The Lady of Alvensleben.
TRADITIONS OF THE GRABFELD. - No. LVII. The little Cherry-Tree upon Castle Raueneck.
No. LXII. The Hollow Stone.
Step into a mid‑nineteenth‑century literary salon where myth and imagination converge. The opening section unfurls a lyrical dialogue between a mischievous fairy and the sprightly Puck, setting a scene of moonlit woods and secret revels that echo the age‑old traditions of English folklore. From this enchanted exchange, the piece gently expands to explore how distant cultures—particularly the Breton Korrigans—share their own rites, healing charms, and a nightly banquet that promises a single drop of liquid wisdom can grant the taste of omniscience.
Listening feels like leafing through a richly illustrated manuscript, each sentence preserving the original spellings and occasional quirks of Victorian printing. The narrator’s voice weaves together poetry, scholarly observation, and playful commentary, inviting you to compare the fanciful courts of Oberon with the hidden fountains of Celtic legend. It’s an evocative glimpse into a world where fairies linger just beyond the veil, offering a taste of the wonder that once filled the pages of a beloved Edinburgh magazine.
Language
en
Duration
~9 hours (538K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Brendan OConnor, Jonathan Ingram, Louise Pryor and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Library of Early Journals.)
Release date
2007-11-17
Rights
Public domain in the USA.
A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.
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