Blackwood's Edinburgh Magazine — Volume 54, No. 335, September 1843

audiobook

Blackwood's Edinburgh Magazine — Volume 54, No. 335, September 1843

by Various Authors

EN·~10 hours·10 chapters

Chapters

10 total

"WE ARE ALL LOW PEOPLE THERE." - A TALE OF THE ASSIZES. - IN TWO CHAPTERS. - CHAPTER THE FIRST.

2:19:00

CHAPTER THE SECOND.

1:41:56

FREDERICK SCHLEGEL.

1:04:59

MARSTON; OR THE MEMOIRS OF A STATESMAN. - PART IV.

0:22

A VISION OF THE WORLD. - BY DELTA.

5:16

THE BANKRUPTCY OF THE GREEK KINGDOM.

1:17:07

A SKETCH IN THE TROPICS. - FROM A SUPERCARGO'S LOG.

45:37

WOMAN'S RIGHTS AND DUTIES. - BY A WOMAN.

1:55:04

A PLEA FOR ANCIENT TOWNS AGAINST RAILWAYS.

36:36

COMMERCIAL POLICY—SHIPS, COLONIES, AND COMMERCE.

36:20

Description

The narrator opens with a vivid recollection of a city forever stained by his mother’s death, a place that has haunted his thoughts from childhood onward. He describes how the loss left an indelible scar, turning the streets into either a sanctuary of painful memory or an unsettling reminder he could not escape. In his youth he even crossed out the city’s name on a map, convinced that erasing it might blunt the ache that surged whenever it was mentioned.

Decades later, an invitation forces him back, this time aboard a new, steam‑powered carriage that shrinks the distance between past and present. As the train barrels toward the bustling metropolis, his heart races and he fights the urge to look away, fearing that any familiar sight will drag him back into old grief. When the locomotive finally rolls into town, he discovers that the familiar thoroughfares have altered, prompting a tentative hope that the city—and perhaps his own feelings—might be different now.

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Details

Language

en

Duration

~10 hours (597K characters)

Publisher of text edition

Project Gutenberg

Release date

2005-01-21

Rights

Public domain in the USA.

About the author

VA

Various Authors

A shared credit used for collections, anthologies, and recordings that bring together work by more than one writer. It usually signals a mix of voices, styles, or selections rather than a single authorial biography.

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