Blackwood's Edinburgh magazine, Vol. 72, No. 442, August, 1852

audiobook

Blackwood's Edinburgh magazine, Vol. 72, No. 442, August, 1852

by Various Authors

EN·~9 hours·9 chapters

Chapters

9 total
1

BLACKWOOD’S EDINBURGH MAGAZINE. No. CCCCXLII.      AUGUST, 1852.      Vol. LXXII.

0:53
2

Dies Boreales.

1:48:56
3

FROM STAMBOUL TO TABRIZ.

1:23:21
4

KATIE STEWART. A TRUE STORY.

1:28:03
5

GOLD—EMIGRATION—FOREIGN DEPENDENCE—TAXATION.

1:02:09
6

THE MOOR AND THE LOCH.

1:17:47
7

MY NOVEL; OR, VARIETIES IN ENGLISH LIFE.

41:46
8

CHAPTER XIX.

16:04
9

THE EARL OF DERBY’S APPEAL TO THE COUNTRY.

1:23:52

Description

Step into an August 1852 issue of a celebrated Victorian periodical, where the pages buzz with the era’s restless curiosity. Readers will hear travel sketches that whisk them from bustling Istanbul to the caravan routes of Tabriz, a true‑to‑life account of a young woman’s daring adventure, and keen essays on economics, emigration and the politics of the day. Interspersed are short fictional pieces that capture the quirks of English society, all rendered in the clear, measured prose that made the magazine a household name.

One standout article, “Christopher under Canvass,” offers a thoughtful meditation on the lineage of epic poetry. The writer traces how ancient poets appealed to divine muses, then turns to Milton’s dual invocations in Paradise Lost, comparing them to Homeric precedents. Listeners can expect a richly narrated blend of literary criticism and lyrical reverie, inviting both reflection and appreciation of the period’s intellectual vigor.

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Details

Language

en

Duration

~9 hours (540K characters)

Publisher of text edition

Project Gutenberg

Credits

Richard Tonsing, Jonathan Ingram, Brendan OConnor, and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Release date

2024-02-13

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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