Birds and Nature Vol. 11 No. 5 [May 1902] Illustrated by Color Photography

audiobook

Birds and Nature Vol. 11 No. 5 [May 1902] Illustrated by Color Photography

by Various Authors

EN·~1 hours·26 chapters

Chapters

26 total
1

“HARK, HARK, THE LARK!”

1:05
2

THE LITTLE GREEN HERON. (Ardea virescens.)

5:04
3

THE HAND THAT STRUCK THEE DOWN.

0:36
4

THE GOBBLER WHO WAS LONESOME. A HISTORICAL FACT.

3:25
5

THE VARIED THRUSH. (Hesperocichla naevia.)

3:08
6

MISSOURI SKYLARK. (Anthus spragueii.)

7:03
7

THE MASTER’S PROTEST.

0:22
8

THE SHORT-BILLED MARSH WREN. (Cistothorus stellaris.)

3:44
9

TWAIN LOVES OF JEREMIAH.

9:45
10

THE ORIOLE.

0:35

Description

A lyrical celebration of birds opens this early‑20th‑century nature journal, inviting listeners into the dawn chorus of larks and the soaring joy of sunrise. The prose weaves poetry with vivid, color‑rich photographs, creating a sensory portrait of the natural world that feels both timeless and immediate.

The centerpiece is an intimate portrait of the Little Green Heron, a modest yet striking member of the heron family. Detailed field notes describe its spring arrival in Indiana, nesting habits in thickets and abandoned orchards, and the delicate choreography of its hunting technique. Listeners will hear the quiet patience of the bird as it stalks minnows, the sudden snap of its beak, and the gentle rustle of its wings, all narrated with a reverence that brings the marshes to life.

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Details

Full title

Birds and Nature Vol. 11 No. 5 [May 1902] Illustrated by Color Photography Illustrated by Color Photography

Language

en

Duration

~1 hours (98K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chris Curnow, Joseph Cooper, Stephen Hutcheson, and the Online Distributed Proofreading Team at http://www.pgdp.net

Release date

2014-12-12

Rights

Public domain in the USA.

About the author

VA

Various Authors

This collection brings together writing from more than one contributor, so there isn’t a single author story to tell. The focus is on the range of voices in the work itself.

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