
Transcribed from the 1894 Longmans, Green and Co. edition by David Price, email ccx074@pglaf.org
Ban and Arrière Ban
TO ELEANOR CHARLOTTE SELLAR
ERRATUM
A SCOT TO JEANNE D’ARC
HOW THEY HELD THE BASS FOR KING JAMES—1691–1693
THREE PORTRAITS OF PRINCE CHARLES - 1731
FROM OMAR KHAYYAM
ÆSOP
LES ROSES DE SÂDI
A lively anthology gathers verses that drift between history, myth and everyday wit, inviting listeners to wander through eighteenth‑century tavern ballads, wistful elegies, and playful parodies. The collection opens with a spirited tribute to Jeanne d’Arc, where a Scottish guard’s voice sings of loyalty and loss, while a raucous piece about “how they held the Bass” brings the clamor of old taverns to life. Sprinkled throughout are nods to literary giants—lines borrowed from Omar Khayyám, a toast to Wordsworth’s influence, and a gentle homage to Mark Twain—creating a patchwork that feels both familiar and fresh.
Each poem stands on its own, yet together they form a mosaic of the era’s cultural currents, from solemn sonnets to frothy song‑snatches about golf and ghostly towers. Listeners will hear the cadence of Victorian magazine halls, the echo of private correspondences, and the quiet humor of a poet who lets the reader finish an incomplete sonnet. The result is a charming, varied listening experience that celebrates the enduring power of rhyme.
Language
en
Duration
~1 hours (60K characters)
Publisher of text edition
Project Gutenberg
Release date
1999-08-01
Rights
Public domain in the USA.

1844–1912
Best remembered for gathering fairy tales into the much-loved "Color Fairy Books," this Scottish writer also moved easily between poetry, criticism, history, translation, and folklore. His work helped bring old stories to new readers and still shapes how many people first meet classic tales.
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