The cover image was created by the transcriber and is placed in the public domain.
PREFACE
ILLUSTRATIONS
MAPS AND PLANS
PART I AUSTRALIA ANSWERS THE CALL
CHAPTER I THE TOCSIN IN AUSTRALIA
CHAPTER II THE ASSEMBLY
CHAPTER III ADVENTURES ON THE CONVOY
CHAPTER IV THE FIRST PAGE OF AUSTRALIAN NAVAL HISTORY I. From the Decks of the Convoy
CHAPTER V THE FIRST PAGE OF AUSTRALIAN NAVAL HISTORY (continued) II. The Destruction of the "Emden"
A veteran war correspondent rides the shell‑scarred tracks of the Dardanelles, where General Birdwood stops beside two Australian soldiers cooking bully‑beef. Their casual exchange and the sight of a sun‑baked, shirtless trooper instantly reveal the gritty humanity beneath the uniforms, setting a vivid tone for the story of the first ANZAC campaigns.
From his voyage aboard the Orvieto to the desert camps of Egypt and the cliffs of Gallipoli, the narrator records the first year of the Australian Expeditionary Force through sharp observation and lively anecdotes. He weaves in the haunting verses of signaller Tom Skeyhill, a young poet blinded by a shell blast, whose poems celebrate camaraderie, courage, and the sorrow of loss. The blend of reportage and poetry paints ordinary men—grumbling, generous, and stubbornly brave—as they volunteer to fight far from home, offering listeners an intimate look at the spirit that drove the early battles of the Great War.
Full title
Australia in Arms A Narrative of the Australasian Imperial Force and Their Achievement at Anzac
Language
en
Duration
~12 hours (725K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Brian Coe, MWS and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2014-08-27
Rights
Public domain in the USA.

1879–1917
A journalist-turned-soldier, he is remembered for vivid firsthand writing on the First World War and for the moving human detail he brought to the Gallipoli campaign. His work carries both the urgency of reporting and the perspective of someone who later served at the front himself.
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