
audiobook
by Will Dyson
Transcriber’s Note
AUSTRALIA AT WAR
ARTIST’S NOTE.
INTRODUCTION
LIST OF ILLUSTRATIONS.
Bringing up the Stew.
Reporting at the Battery.
Dead Beat.
The Cook.
Group.
Made in the bitter winters of the Somme and Ypres, this illustrated memoir captures the stark reality of the Australian infantry in 1916‑17. The artist, once celebrated for his incisive caricatures, turns his pen to the mud‑filled trenches, rendering scenes of exhausted soldiers, bleak landscapes, and fleeting moments of fragile camaraderie. Each drawing is accompanied by brief notes that convey the cold, the mud, and the constant presence of artillery, giving listeners a vivid sense of the daily grind far from home. The work is framed by an insightful introduction that places the sketches in the larger context of the war and the artist’s own wounded experience.
The collection does not seek heroism; instead it records the melancholy and endurance that defined the front‑line winter months. Listeners will hear a voice that respects the young men’s sacrifice while exposing the grim material conditions they endured. By the end of the first act, the images and commentary reveal how ordinary Australians were thrust into an industrial nightmare, their lives marked by both routine survival and sudden, harrowing loss.
Full title
Australia at War A Winter Record Made by Will Dyson on the Somme and at Ypres, During the Campaigns of 1916 and 1917 A Winter Record Made by Will Dyson on the Somme and at Ypres, During the Campaigns of 1916 and 1917
Language
en
Duration
~39 minutes (37K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by jj and Claudine Corbasson (This file was produced from scans of public domain works at The National Library of Australia.)
Release date
2018-05-18
Rights
Public domain in the USA.
Subjects

1880–1938
Best known for sharp, humane political cartoons, this Australian-born artist built an international reputation with work that moved from Melbourne magazines to London newspapers and the battlefields of World War I. His drawings could be funny, biting, and deeply compassionate all at once.
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