
audiobook
ARE YOU A BROMIDE?
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In this delightfully off‑beat essay the author tackles the age‑old habit of sorting people into neat boxes, but does so with a fresh, tongue‑in‑cheek framework: the Sulphites and the Bromides. Drawing on a 1906 “smart set” article and a lively correspondence with a Louisiana chatelaine, the piece argues that boredom and dullness can be measured with the same precision as chemistry, turning everyday observations into a playful taxonomy. The opening sections lay out the history of the theory, its origins in a parties‑guest list, and the author’s promise to prove the classification with a scientific‑sounding, yet humor‑laden, argument.
Readers are treated to a parade of ‘bromidioms’—wry sayings that capture the stultifying habits of the unoriginal—alongside vivid anecdotes from Venice to Southern plantations. The style blends Edwardian satire with early psychology, making the work both a cultural time capsule and a witty guide to spotting the conversational dead‑weight in any social circle. Listeners who enjoy clever wordplay, historical humor, and a light‑hearted probe into why some conversations feel as stale as old chemicals will find this essay an engaging, thought‑provoking listen.
Full title
Are You a Bromide? The Sulphitic Theory Expounded and Exemplified According to the Most Recent Researches into the Psychology of Boredom, Including Many Well-Known Bromidioms Now in Use The Sulphitic Theory Expounded and Exemplified According to the Most Recent Researches into the Psychology of Boredom, Including Many Well-Known Bromidioms Now in Use
Language
en
Duration
~36 minutes (35K characters)
Publisher of text edition
Project Gutenberg
Credits
Marvin A. Hodges and the Online Distributed Proofreading Team
Release date
2004-01-01
Rights
Public domain in the USA.
Subjects

1866–1951
Best remembered for the nonsense classic "The Purple Cow," this lively American writer and humorist helped shape the playful spirit of literary San Francisco in the 1890s. He also had a knack for reinvention, moving between poetry, illustration, criticism, and children's books with easy wit.
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