
Transcriber's Note:
Apologia Diffidentis - By - W. Compton Leith
Third Edition - Printed in Great Britain by Turnbull & Spears, Edinburgh
The narrator opens an intimate confession, choosing the page over spoken words to explain a lifelong shyness that has kept him at the margins of society. With the gentle cadence of a diary and occasional Greek whispers, he likens his inner world to a quiet tide pool—visible only when one leans close enough to see the fragile life within. The prose drifts between melancholy and quiet humor, offering a vivid portrait of a mind that prefers ink to conversation.
In the first part of the work he describes his years at university, when the promise of youthful camaraderie collided with an unrelenting sense of self‑consciousness. He recalls tentative attempts to reach out, the sting of repeated retreats, and the lingering hope that a compassionate smile might finally draw him from his solitude. Listeners will find a thoughtful, lyrical meditation on introversion, the pain of missed connections, and the subtle ways small kindnesses can illuminate even the most withdrawn heart.
Language
en
Duration
~3 hours (197K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Meredith Bach and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
2009-01-13
Rights
Public domain in the USA.
Subjects

1866–1945
A museum scholar with an eye for medieval art, archaeology, and the long history of objects, this British curator wrote clearly for both specialists and general readers. His work helped shape how generations of readers encountered Byzantine art, antiquities, and the collections of the British Museum.
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