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By William H. Holmes.
Pictured rocks.—
Columns.—
Images.—
Mealing stones.—
Stools.—
Celts.—
Spearheads (?).—
Arrowpoints.—
A quiet corner of the isthmus, once brushed over by explorers, is brought to life through a detailed survey of its landscape and early inhabitants. The report paints a picture of a province wedged between volcanic ridges and two oceans, with low‑lying belts that once served as natural corridors for peoples moving north and south. By mapping the region’s rivers, bays, and plateau, the author sets the stage for the cultural treasures hidden in the middle strip of lowland near the Bay of David.
Turning to the material remains, the work showcases a rich collection of ancient carvings, pottery, and stone tools that link the art of this area to the broader traditions of Costa Rica, Veragua, and the South American continent. Illustrated plates and even short MIDI excerpts of indigenous instruments invite listeners to imagine the sounds and visual motifs that once filled the province. The narrative remains focused on the early discoveries, leaving the deeper mysteries of the artifacts for future explorers to uncover.
Full title
Ancient art of the province of Chiriqui, Colombia Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188 Sixth Annual Report of the Bureau of Ethnology to the Secretary of the Smithsonian Institution, 1884-1885, Government Printing Office, Washington, 1888, pages 3-188
Language
en
Duration
~5 hours (298K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Louise Hope, PM for Bureau of American Ethnology, The Internet Archive: American Libraries and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica) at http://gallica.bnf.fr)
Release date
Dec 7, 2009
Rights
Public domain in the USA.

1846–1933
A true American polymath, he moved easily between art and science, helping readers see the landscapes, artifacts, and cultures that shaped the American West. His work helped turn observation into vivid record, whether he was sketching canyon walls or studying archaeology and anthropology.
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by William Henry Holmes

by William Henry Holmes

by William Henry Holmes