Alma vasca

audiobook

Alma vasca

by José María Salaverría

ES·~2 hours·24 chapters

Chapters

24 total
1

[](https://www.gutenberg.org/images/cover_lg.jpg)

0:22
2

I LA INMENSIDAD VERDE

4:56
3

II EL CEREMONIOSO TAMBORIL

7:01
4

III DIA DE FIESTA EN UN PUEBLO VASCO

5:44
5

IV JUNTO A LA CARRETERA

4:54
6

V CATALIÑ

3:49
7

VI LOS REMEROS OLIMPICOS

8:40
8

VII ELOGIO DEL MAR CANTABRICO

4:33
9

VIII EL RIO DINAMICO

5:51
10

IX ELOGIO DE LOS CAMPANARIOS

4:32

Description

In this lyrical travelogue the author climbs a solitary hill overlooking the Cantabrian coast and lets the boundless green of valleys, chestnut woods and misty streams unfold. The prose reads like a painting, each vista described with a sensual immediacy that captures both the physical beauty and the nostalgia it awakens in a child’s memory.

Beyond the picturesque tableau, the narrative turns inward, questioning whether such gentle abundance can lull the spirit into complacency. The writer reflects on the paradox of a land so fertile and serene that its people, historically restless, have often carried their vigor beyond its borders.

Listeners will be carried through rolling pastures, the soft glow of a white farmhouse chimney, and the distant hush of the sea, while the author’s meditations on identity and longing give the journey a thoughtful edge. The work invites a quiet reverie, offering both evocative scenery and a subtle probe into the character of a region that shapes its travelers.

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Details

Language

es

Duration

~2 hours (153K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Chuck Greif and the Online Distributed Proofreading Team at https://www.pgdp.net (This book was produced from images made available by the HathiTrust Digital Library.)

Release date

2020-04-19

Rights

Public domain in the USA.

Subjects

About the author

José María Salaverría

José María Salaverría

1873–1940

A sharp, widely read Spanish journalist and essayist, he wrote with energy about national identity, travel, and public life in the early twentieth century. His work sits close to the world of the Generation of '98 while keeping a voice very much his own.

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