
ALCYONE
IN MARCH
THE CITY OF THE END OF THINGS
THE SONG SPARROW
INTER VIAS
REFUGE
APRIL NIGHT
PERSONALITY
TO MY DAUGHTER
CHIONE
The opening verses lift the listener into the cold brilliance of the Pleiad star Alcyone, using soaring language to weigh humanity against the immeasurable ages of the cosmos. A quiet, contemplative voice asks what it means to be mortal when the universe stretches endlessly, inviting a meditation on pride, longing, and the search for a soul that can match the night itself.
The narrative then steps onto an earthbound March day, where warm sunlight turns puddles into crystal lakes and children spin marbles in the glow. From this gentle tableau the story slides into the stark vision of a towering, iron‑clad City of the End of Things, a place of perpetual fire and uncanny music where only three enigmatic figures keep its terrible power alive. The contrast hints at a journey that will carry the protagonist from familiar comforts into a realm where memory and identity are tested by an unforgiving, timeless machine.
Language
en
Duration
~1 hours (77K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Thierry Alberto, V. L. Simpson and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by the Canadian Institute for Historical Microreproductions (www.canadiana.org))
Release date
2007-10-02
Rights
Public domain in the USA.
Subjects

1861–1899
A leading voice among Canada’s Confederation poets, these lyric, clear-eyed poems are loved for their quiet attention to landscape, weather, and everyday feeling. His work pairs Romantic grace with a distinctly Canadian sense of place.
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