A survey of modernist poetry

audiobook

A survey of modernist poetry

by Laura Riding, Robert Graves

EN·~6 hours·12 chapters

Chapters

12 total
1

NOTE

0:50
2

CHAPTER I MODERNIST POETRY AND THE PLAIN READER’S RIGHTS

33:40
3

CHAPTER II THE PROBLEM OF FORM AND SUBJECT-MATTER IN MODERNIST POETRY

30:25
4

CHAPTER III WILLIAM SHAKESPEARE AND E. E. CUMMINGS: A STUDY IN ORIGINAL PUNCTUATION AND SPELLING

32:05
5

CHAPTER IV THE UNPOPULARITY OF MODERNIST POETRY WITH THE PLAIN READER

35:30
6

CHAPTER V MODERNIST POETRY AND DEAD MOVEMENTS

27:46
7

CHAPTER VI THE MAKING OF THE POEM

30:57
8

CHAPTER VII MODERNIST POETRY AND CIVILIZATION

44:24
9

CHAPTER VIII VARIETY IN MODERNIST POETRY

43:43
10

CHAPTER IX THE HUMOROUS ELEMENT IN MODERNIST POETRY

43:44

Description

This book opens a thoughtful debate about how modernist poetry reaches—or pushes away—the everyday reader. By starting with the confrontations surrounding E. E. Cummings’s experimental verses, it asks whether avant‑garde techniques are intentional barriers or challenges meant to sharpen a reader’s imagination. The author guides the listener through a careful, step‑by‑step analysis of a seemingly simple Cummings poem, showing how even the most stripped‑down lines can spark fierce controversy.

Beyond that case study, the work surveys a wide range of modernist voices, mapping their differing attitudes toward form, subject‑matter, and the “plain reader’s rights.” It balances scholarly rigor with an accessible tone, inviting anyone curious about why modern poetry sometimes feels like a private performance and how it might instead expand our reading habits. Listeners will come away with fresh tools for appreciating poetry that refuses to stay comfortably familiar.

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Details

Language

en

Duration

~6 hours (356K characters)

Release date

2025-06-27

Rights

Public domain in the USA.

About the authors

LR

Laura Riding

1901–1991

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Robert Graves

Robert Graves

1895–1985

Best known for I, Claudius and the unforgettable war memoir Good-Bye to All That, this English writer moved easily between poetry, fiction, criticism, and myth. His books blend sharp storytelling with a lifelong fascination for history, memory, and the ancient world.

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