
NOTE
CHAPTER I MODERNIST POETRY AND THE PLAIN READER’S RIGHTS
CHAPTER II THE PROBLEM OF FORM AND SUBJECT-MATTER IN MODERNIST POETRY
CHAPTER III WILLIAM SHAKESPEARE AND E. E. CUMMINGS: A STUDY IN ORIGINAL PUNCTUATION AND SPELLING
CHAPTER IV THE UNPOPULARITY OF MODERNIST POETRY WITH THE PLAIN READER
CHAPTER V MODERNIST POETRY AND DEAD MOVEMENTS
CHAPTER VI THE MAKING OF THE POEM
CHAPTER VII MODERNIST POETRY AND CIVILIZATION
CHAPTER VIII VARIETY IN MODERNIST POETRY
CHAPTER IX THE HUMOROUS ELEMENT IN MODERNIST POETRY
This book opens a thoughtful debate about how modernist poetry reaches—or pushes away—the everyday reader. By starting with the confrontations surrounding E. E. Cummings’s experimental verses, it asks whether avant‑garde techniques are intentional barriers or challenges meant to sharpen a reader’s imagination. The author guides the listener through a careful, step‑by‑step analysis of a seemingly simple Cummings poem, showing how even the most stripped‑down lines can spark fierce controversy.
Beyond that case study, the work surveys a wide range of modernist voices, mapping their differing attitudes toward form, subject‑matter, and the “plain reader’s rights.” It balances scholarly rigor with an accessible tone, inviting anyone curious about why modern poetry sometimes feels like a private performance and how it might instead expand our reading habits. Listeners will come away with fresh tools for appreciating poetry that refuses to stay comfortably familiar.
Language
en
Duration
~6 hours (356K characters)
Release date
2025-06-27
Rights
Public domain in the USA.
1901–1991

1895–1985
Best known for I, Claudius and the unforgettable war memoir Good-Bye to All That, this English writer moved easily between poetry, fiction, criticism, and myth. His books blend sharp storytelling with a lifelong fascination for history, memory, and the ancient world.
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