On English poetry : being an irregular approach to the psychology of this art, from evidence mainly subjective

A varied selection of Graves’s verses opens the volume, ranging from the whimsical “Fairies and Fusiliers” to the stark, pastoral “Country Settlement” and the reflective “The Pier‑Glass.” The poems move through wartime memories, rural life, and fleeting moments of wonder, each stamped with his characteristic blend of vivid imagery and subtle irony. Readers will encounter his lyrical voice shifting between the intimate and the grand, offering a snapshot of early‑twentieth‑century English poetry in its many moods.

Beyond the verse, the book unfolds an unconventional essay on the psychology of poetry. Graves distinguishes the spontaneous “fusion of contradictory emotions” that sparks a poem from the later, craft‑driven effort to shape that insight for an audience. His prose is candid, often self‑critical, and deliberately strays from systematic theory, inviting listeners to consider how poetic feeling and analytical thought can coexist. The result is a thought‑provoking companion to the poems, offering insight without claiming definitive answers.