A Stable for Nightmares; or, Weird Tales

audiobook

A Stable for Nightmares; or, Weird Tales

by Joseph Sheridan Le Fanu, Sir Charles L. (Charles Lawrence) Young

EN·~5 hours

Chapters

Description

A weary traveler finds himself drawn to the remote Lancashire countryside, where a crumbling estate called Barwyke Hall looms on the edge of the infamous Pendle forest. The journey is a vivid tableau of autumnal woods, mist‑shrouded lanes, and an inn whose chatty host offers little more than vague reassurance about the house’s reputation. As the carriage approaches the black‑and‑white, Elizabethan‑style mansion, its neglected shutters, tangled vines, and the dark lake that mirrors the fading light hint at a lingering unease that has long haunted the locals.

Inside, the narrator’s curiosity collides with a palpable sense of abandonment; the once‑grand rooms now echo with silence, and subtle clues suggest that the estate’s past may be more disturbing than any tavern rumor. Listeners are invited to share his cautious optimism and growing apprehension as he steps through the overgrown courtyard, poised on the threshold of a story where history, superstition, and the natural world intertwine.

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Details

Language

en

Duration

~5 hours (330K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Suzanne Shell, Jacqueline Jeremy and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/Canadian Libraries)

Release date

2008-08-28

Rights

Public domain in the USA.

About the authors

Joseph Sheridan Le Fanu

Joseph Sheridan Le Fanu

1814–1873

A master of eerie suspense, this Irish writer helped shape the ghost story and Gothic mystery for generations of readers. Best known for unsettling classics like Uncle Silas and Carmilla, his work still feels shadowy, clever, and deeply atmospheric.

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Sir Charles L. (Charles Lawrence) Young

Sir Charles L. (Charles Lawrence) Young

1839–1887

Best known for the Victorian hit Jim the Penman, this English playwright also trained as a barrister and inherited a baronetcy. His work moved between society drama and shorter stage pieces, giving him a small but lasting place in 19th-century theatre history.

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