
A KING, AND NO KING.
I.
ACTUS QUARTUS.
A KING AND NO KING. VERSE AND PROSE VARIATIONS .
Act 5 is in verse in Quartos A, B, C and D, in prose in Quartos E and F from p. 214, I. 22. As the Second Folio also prints it in prose it has been decided to give here the verse of Quarto A (1619) in full.
FINIS.
The drama opens on a battlefield still echoing with the clamor of recent conflict. Two seasoned captains trade banter and bravado, recalling how their king has halted a long‑standing war with a single, decisive blow. Their conversation reveals a world where honor is measured by daring feats—capturing a rival prince in his own realm, or daring a reckless charge that could turn the tide of battle. Amid the soldiers’ rough camaraderie, the audience senses the fragile peace that masks deeper ambitions.
Soon the two sovereigns, Arbaces of Iberia and Tigranes of Armenia, step onto the stage, each bearing the weight of their thrones and the expectations of their courts. Their encounter sets off a tangled web of rivalry, loyalty, and familial intrigue, as queens, daughters, and trusted retainers are drawn into the unfolding power struggle. With sharp wit, shifting alliances, and the ever‑present threat of betrayal, the play promises a compelling exploration of what it means to rule—and what happens when the crown feels both heavy and hollow.
Language
en
Duration
~3 hours (203K characters)
Publisher of text edition
Project Gutenberg
Release date
2004-05-01
Rights
Public domain in the USA.

1584–1616
Best known for his partnership with John Fletcher, this Jacobean playwright helped shape some of the most memorable drama of the early 1600s. His work ranges from sharp theatrical comedy to serious tragic drama, and it still stands out for its wit and energy.
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1579–1625
A major voice of the Jacobean stage, this playwright helped shape English tragicomedy and kept the King’s Men supplied with new drama after Shakespeare. His work, often written with collaborators, was hugely popular in its own time and remained influential for decades.
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