
A KING, AND NO KING.
I.
ACTUS QUARTUS.
A KING AND NO KING. VERSE AND PROSE VARIATIONS .
Act 5 is in verse in Quartos A, B, C and D, in prose in Quartos E and F from p. 214, I. 22. As the Second Folio also prints it in prose it has been decided to give here the verse of Quarto A (1619) in full.
FINIS.
The drama opens on a battlefield still echoing with the clamor of recent conflict. Two seasoned captains trade banter and bravado, recalling how their king has halted a long‑standing war with a single, decisive blow. Their conversation reveals a world where honor is measured by daring feats—capturing a rival prince in his own realm, or daring a reckless charge that could turn the tide of battle. Amid the soldiers’ rough camaraderie, the audience senses the fragile peace that masks deeper ambitions.
Soon the two sovereigns, Arbaces of Iberia and Tigranes of Armenia, step onto the stage, each bearing the weight of their thrones and the expectations of their courts. Their encounter sets off a tangled web of rivalry, loyalty, and familial intrigue, as queens, daughters, and trusted retainers are drawn into the unfolding power struggle. With sharp wit, shifting alliances, and the ever‑present threat of betrayal, the play promises a compelling exploration of what it means to rule—and what happens when the crown feels both heavy and hollow.
Language
en
Duration
~3 hours (203K characters)
Publisher of text edition
Project Gutenberg
Release date
May 1, 2004
Rights
Public domain in the USA.

1584–1616
Best known as one half of the celebrated Beaumont and Fletcher partnership, this Jacobean dramatist helped shape early 17th-century English theater with witty comedies and tragedies. His work ranges from lively satire to courtly drama, and it stayed influential long after his short life ended.
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1579–1625
A major voice of Jacobean drama, this gifted playwright helped shape the sound of the English stage after Shakespeare. His fast-moving collaborations and flair for tragicomedy made him one of the most popular dramatists of his age.
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