
audiobook
A GRAY EYE OR SO - By Frank Frankfort Moore - Author of “I Forbid The Banns,” “Dalreen,” “Sojourners Together,” “Highways And High Seas,” Etc. - In Three Volumes—Volume I - Sixth Edition - London: Hutchinson & Co., 34 Paternoster Row - 1893
A GRAY EYE OR SO
CHAPTER I.—ON CERTAIN ABSTRACTIONS.
CHAPTER II.—ON A GREAT HOPE.
CHAPTER III.—ON HONESTY AND THE WORKING MAN.
CHAPTER IV.—ON FABLES.
CHAPTER V.—ON A PERILOUS CAUSEWAY.
CHAPTER VI.—ON THE INFLUENCE OF AN OCEAN.
CHAPTER VII.—ON THE ADVANTAGES OF A FULL MOON.
CHAPTER VIII.—ON THE ZIG-ZAG TRACK.
A witty, low‑key dialogue opens the story as three friends—Harold, Edmund and the ever‑pretending rower Brian—turn a casual chat about “woman in the abstract” into an amusing debate on hope, cynicism and personal conviction. Their banter, peppered with gentle teasing and a hint of Irish charm, quickly spirals into a broader reflection on loyalty, reputation, and the small‑scale economics of rural life. The conversation feels both intimate and philosophical, inviting listeners to settle into the characters’ world while hinting at deeper currents beneath their jokes.
From this lively exchange the narrative shifts to the tale of Larry O’Leary, a moonshiner whose worn‑out still and desperate finances lead him into an uneasy partnership with the excise officers. As Larry bargains a secret location for a modest reward, the listener is drawn into the tangled moral landscape of informers, friendship, and survival on the heather‑covered slopes of Slieve Glas. The first act sets a tone of clever humor and moral intrigue, promising a story that balances lighthearted banter with the stakes of rural Irish life.
Language
en
Duration
~3 hours (194K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by David Widger from page images generously provided by the Internet Archive
Release date
2016-05-02
Rights
Public domain in the USA.

1855–1931
A prolific Irish journalist and storyteller, he moved easily between novels, plays, poems, and criticism, building a wide readership in the late Victorian and Edwardian years. His fiction often drew on Irish history and politics while keeping a strong feel for popular storytelling.
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by Frank Frankfort Moore

by Frank Frankfort Moore

by Frank Frankfort Moore

by Frank Frankfort Moore

by Frank Frankfort Moore

by Frank Frankfort Moore

by Frank Frankfort Moore

by Frank Frankfort Moore