
A quirky epistolary novel opens with Hashimura Togo, a self‑styled “35‑year‑old Japanese schoolboy,” writing from a San Francisco boarding house. His letters introduce a kaleidoscope of strangers—Irish saloon keepers, missionary boys, flamboyant spies, and a host of oddly named acquaintances—all woven into a comic tableau of immigrant life in the early twentieth‑century United States.
Through Togo’s wry observations, the story sketches the absurdities of cultural misunderstanding, bureaucratic bravado, and the fidgety optimism of a newcomer trying to “save up for old age” while navigating brick‑bat injuries and endless tables. The prose mixes faux‑formal rhetoric with slap‑dash humor, letting readers hear the clamor of saloons, the chatter of politicians, and the occasional, bewildering glimpse of “international courtesy.”
The tone remains playful yet pointed, using exaggerated characters and exaggerated diplomacy to comment on the uneasy blend of “White Man and Yellow Man.” It offers a lively snapshot of a vibrant, chaotic community without revealing the narrative’s later twists.
Language
en
Duration
~6 hours (395K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United States: Doubleday, Page & Company,1909.
Credits
Peter Becker and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)
Release date
2022-11-08
Rights
Public domain in the USA.

1876–1959
Known for wit, satire, and remarkable range, this American writer moved easily from light verse and humorous sketches to novels, screenplays, and lyrics for the stage. His work captured the playful, fast-moving spirit of early 20th-century popular writing.
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