The English Mail-Coach and Joan of Arc

audiobook

The English Mail-Coach and Joan of Arc

by Thomas De Quincey

EN·~4 hours·11 chapters

Chapters

11 total
1

THE ENGLISH MAIL-COACH - AND - JOAN OF ARC

0:02
2

By Thomas De Quincey

0:08
3

Edited With Introduction And Notes By Milton Haight Turk, Ph.D.

0:04
4

PREFACE

1:00
5

INTRODUCTION - I. LIFE

17:50
6

THE ENGLISH MAIL-COACH

0:01
7

SECTION I—THE GLORY OF MOTION

1:05:13
8

SECTION II—THE VISION OF SUDDEN DEATH

40:48
9

SECTION III—DREAM-FUGUE: - FOUNDED ON THE PRECEDING THEME OF SUDDEN DEATH

19:30
10

JOAN OF ARC

1:18:53

Description

Thomas De Quincey opens the volume with a warm, scholarly introduction that sketches his own restless youth, his narrow escapes from academic confines, and the early encounters that shaped his literary voice. The editor’s notes frame the author’s reputation for vivid, confessional prose, inviting listeners to hear the personal backdrop that informs the ensuing essays.

The first essay, “The English Mail‑Coach,” rides a bustling carriage route as a metaphor for the pulse of industrial England, while the second, “Joan of Arc,” lifts the reader into a stark, reverent meditation on the French heroine’s courage. De Quincey’s lyrical observations and his habit of weaving history with personal reflection create a listening experience that feels both intimate and expansive, offering a glimpse into the mind of a writer who balanced melancholy with fierce curiosity.

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Details

Language

en

Duration

~4 hours (260K characters)

Publisher of text edition

Project Gutenberg

Credits

Text file produced by Anne Soulard, Charles Franks and the Online Distributed Proofreading Team HTML file produced by David Widger

Release date

2004-08-01

Rights

Public domain in the USA.

About the author

Thomas De Quincey

Thomas De Quincey

1785–1859

Best known for Confessions of an English Opium-Eater, this English essayist turned personal experience into vivid, unsettling literature. His work blends autobiography, criticism, and dreamlike reflection in a way that still feels startlingly modern.

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