Concerning the Spiritual in Art

In this thoughtful treatise the author, a leading figure of the Munich avant‑garde, argues that modern painters have a social and spiritual duty to make their inner visions accessible. He critiques the old “art for art’s sake” mindset and proposes a dialogue in which the public can genuinely grasp the soul behind the canvas. The introduction sets the tone, urging readers to see art not as an isolated eccentricity but as a teaching tool for a deeper understanding of humanity.

The work unfolds in two parts, first outlining a general aesthetic that includes the “movement of the triangle” and the symbolic power of the pyramid. The second part turns to painting itself, examining how colour works psychologically, how form and colour together form a language, and how the concept of “inner sound” unites visual expression with music and poetry. Throughout, the author blends concrete examples—from Renaissance masters to contemporary abstractions—with philosophical reflection, inviting listeners to contemplate how visual elements can echo the spiritual currents of life.

By the close of the opening sections, the reader is equipped with a fresh vocabulary for interpreting art’s hidden resonance, laying the groundwork for a richer engagement with the masterpieces that follow.