Satires and Profanities

audiobook

Satires and Profanities

by G. W. (George William) Foote, James Thomson

EN·~6 hours

Chapters

Description

This audio collection gathers a series of razor‑sharp essays that first appeared in Victorian reform journals. The writer wields satire with the same vigor as the great Swift, targeting everything from religious superstition to the pretensions of the establishment. Listeners will hear the lively, often biting commentary that made these pieces both controversial and celebrated in their day.

The pieces explore how faith can cloud reason, how dogma fuels social injustice, and they propose, with mordant humor, ways to untangle such knots. Though grounded in 19th‑century debates, the arguments echo concerns that still resonate, offering both historical insight and timeless wit. Ideal for anyone who enjoys clever critique delivered with a generous dose of mirth.

The editor’s introduction frames the essays as a treasure for freethinkers, noting their original life in the National Reformer and Secularist. It also hints at the author’s own turbulent journey—from orphaned youth to a passionate journalist alongside leading radicals. As you listen, you’ll sense the restless energy of a mind that refused to accept easy answers.

Details

Language

en

Duration

~6 hours (351K characters)

Publisher of text edition

Project Gutenberg

Release date

2012-03-12

Rights

Public domain in the USA.

About the authors

G. W. (George William) Foote

G. W. (George William) Foote

1850–1915

A fierce Victorian freethinker, journalist, and campaigner for secularism, he became one of the best-known critics of organized religion in late 19th-century Britain. His writing mixed argument, satire, and a clear determination to defend free speech.

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James Thomson

James Thomson

1834–1882

Best known for the dark, powerful poem The City of Dreadful Night, this Scottish-born writer built a small but lasting reputation for fearless, skeptical verse. Writing under the signature “B.V.,” he turned personal hardship into poetry that still feels startlingly modern.

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