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In the bustling court of Palermo, a bewildered Count mourns the supposed death of his only son, setting the stage for a tangled web of deception and merriment. His grief, more theatrical than sincere, draws his loyal servant Rosco into a conspiratorial dance, hinting at the farcical twists that will follow. The opening brims with lively banter and a mock‑solemn prologue that pokes fun at pretentious scholars and their lofty ambitions.
A colorful ensemble soon appears: the beautiful Lucasia, her sister Lavinia, and a slew of suitors ranging from a pompous Salamanca doctor to a dashing but clueless noble. Their competing schemes to win hearts and fortunes spin a comic tale of mistaken identities, secret loves, and a missing heiress whose absence fuels the intrigue. With witty songs, sharp repartee, and a generous dose of satire, the play promises a lively romp through love, ambition, and the art of out‑witting one another.
Language
en
Duration
~1 hours (97K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Delphine Lettau and the Online Distributed Proofreading Canada Team at http://www.pgdpcanada.net (This book was produced from scanned images of public domain material from the Google Book Search project.)
Release date
2011-05-29
Rights
Public domain in the USA.
Subjects

1666–1723
A lively force in Restoration and early 18th-century theatre, this English playwright was known for sharp comedies that mixed romance, satire, and a keen eye for social manners. Her plays were widely performed in London, and works like The Busy Body helped secure her place as one of the era’s most successful women dramatists.
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