
A lively one‑act comedy opens in a theatre curtain, where an irate English archdeacon confronts his flamboyant daughter, Ermyntrude, about the dwindling funds of her extravagant lifestyle. Their quarrel spirals into a witty exchange about marriage, mis‑managed fortunes, and the absurdities of post‑war society, while a far‑cical “Inca” character looms as a tongue‑in‑cheek stand‑in for a fallen imperial power. The dialogue crackles with sharp satire, poking fun at the grandiose self‑importance of both the clergy and the pretended conqueror.
Written in the immediate aftermath of a great conflict, the play balances historical parody with contemporary social critique, using exaggerated names and situations to highlight the folly of hubris and the scramble for comfort after turmoil. Its brisk pacing and clever repartee make it an entertaining glimpse into the era’s theatrical humor, inviting listeners to enjoy a clever, self‑aware comedy that still resonates with today’s love of witty, off‑beat drama.
Language
en
Duration
~48 minutes (46K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Eve Sobol, and David Widger
Release date
2002-10-01
Rights
Public domain in the USA.

1856–1950
Known for witty, talkative plays that poke at class, politics, and human vanity, he helped reshape modern drama. His work ranges from sharp comedies to serious social critique, with "Pygmalion" remaining one of the best known.
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