
This volume offers a detailed survey of Italian literary development, focusing on Dante Alighieri’s Divina Commedia. The author maps the poem’s overall plan, traces the classical and contemporary sources that fed Dante’s imagination, and explains how the work creates a new poetic “machine.” Listeners are guided through the poem’s inventive structure.
The study then widens its scope, comparing Dante’s creative leap to that of ancient masters such as Homer. By examining mythological motifs, narrative techniques, and the poet’s ambition to unite heavenly and earthly realms, the author shows how Dante revived and transformed a tradition that had lain dormant for centuries. This comparative lens highlights the notion of “invention” as the highest poetic virtue in the author’s view.
Based on manuscripts and a historical note from M. Daunou, the work balances rigorous scholarship with accessible commentary. Listeners will gain a richer appreciation of how medieval poets forged new artistic pathways, setting the stage for later Italian literature. The book serves as both a guide to the Divina Commedia and a broader reflection on poetic imagination.
Language
fr
Duration
~14 hours (824K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Mireille Harmelin, Rénald Lévesque and the Online Distributed Proofreaders Europe at http://dp.rastko.net. This file was produced from images generously made available by the Bibliothèque nationale de France (BnF/Gallica)
Release date
2010-03-14
Rights
Public domain in the USA.
1748–1816
A lively figure of the French Enlightenment and early Romantic era, this writer, critic, and historian moved between literature, journalism, and politics during one of France's most turbulent periods. He is especially remembered for bringing warmth and clarity to literary history, including a major study of Italian literature.
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