author
1854–1934
A sharp, witty voice in American music writing, this longtime Boston critic helped generations of concertgoers listen more closely. He wrote with strong opinions, deep knowledge, and a real feel for live performance.

by Philip Hale
Born in Norwich, Vermont, in 1854, Philip Hale grew up in Northampton, Massachusetts, studied at Yale, and was trained in law before music became his main life’s work. He had studied piano and organ from an early age, and that practical background stayed with him as he moved into criticism and musical journalism.
Hale became an important figure in Boston’s cultural life through his work as a music critic for several newspapers, including the Boston Journal and later the Boston Herald. He is especially remembered for the program notes he wrote for the Boston Symphony Orchestra, beginning in 1901—pieces that mixed history, analysis, and vivid personal judgment in a way that made serious music more approachable for general readers.
He also published collections such as Philip Hale’s Boston Symphony Programme Notes and other volumes of criticism. Hale died in Boston in 1934, and he remains notable as one of the best-known American music critics of his era.