
author
1819–1903
Best known for chronicling the rise of illustrated journalism in Victorian Britain, this wood engraver turned journalist wrote with firsthand knowledge of how pictures changed the press. His work opens a window onto the fast-moving world of nineteenth-century newspapers and publishing.

by Mason Jackson
Born in Northumberland in 1819, he trained as a wood engraver under his older brother, John Jackson, and built a strong reputation through illustration work for major Victorian publications and books. Over time, his career widened from engraving into journalism and editorial work, giving him a practical view of both the artistic and commercial sides of publishing.
He is especially remembered for The Pictorial Press: Its Origin and Progress (1885), a lively history of illustrated newspapers and printed images. Because he had worked inside that world himself, his writing carries the feel of someone explaining a major media shift from the inside.
For readers today, his appeal lies in that blend of craft knowledge and historical storytelling. His books are useful not just as records of Victorian print culture, but also as readable accounts of how images, news, and mass readership began to come together in modern form.