author

Margaret Lynn

1870–1958

Best known as Margaret Lynn, this British writer crafted atmospheric suspense and crime novels with a strong gothic edge. Her books from the 1960s and early 1970s are remembered for uneasy settings, hidden identities, and the slow build of danger.

2 Audiobooks

Atlantic Narratives: Modern Short Stories

Atlantic Narratives: Modern Short Stories

by Elizabeth Ashe, Katharine Butler, Henry Seidel Canby, Cornelia A. P. (Cornelia Atwood Pratt) Comer, Charles Caldwell Dobie, Madeleine Z. (Madeleine Zabriskie) Doty, H. G. (Harrison Griswold) Dwight, John Galsworthy, Katharine Fullerton Gerould, Zephine Humphrey, Mary Lerner, F. J. Louriet, E. V. (Edward Verrall) Lucas, Margaret Lynn, C. A. Mercer, Margaret Prescott Montague, E. (Edith) Nesbit, Anne Douglas Sedgwick, Dallas Lore Sharp, Margaret Pollock Sherwood, Ernest Starr, Amy Wentworth Stone, Arthur Russell Taylor

Atlantic Narratives: Modern Short Stories

Atlantic Narratives: Modern Short Stories

by Elizabeth Ashe, Henry Seidel Canby, Cornelia A. P. (Cornelia Atwood Pratt) Comer, Charles Caldwell Dobie, Madeleine Z. (Madeleine Zabriskie) Doty, H. G. (Harrison Griswold) Dwight, John Galsworthy, Katharine Fullerton Gerould, Katharine Butler Hathaway, Zephine Humphrey, Mary Lerner, F. J. Louriet, E. V. (Edward Verrall) Lucas, Margaret Lynn, C. A. Mercer, Margaret Prescott Montague, E. (Edith) Nesbit, Anne Douglas Sedgwick, Dallas Lore Sharp, Margaret Pollock Sherwood, Ernest Starr, Amy Wentworth Stone, Arthur Russell Taylor

About the author

Margaret Lynn was the pen name of Gladys Starkey Battye, an English novelist born in 1915. Sources describing her work identify her as a textile designer and hotelier as well as a writer, and several bibliographic records place her life in 1915–1975.

Writing mainly in the 1960s and early 1970s, she published a run of suspense and crime novels including To See a Stranger, Whisper of Darkness, A Light in the Window, Sunday Evening, and Sweet Epitaph. Her fiction is often grouped with British mystery and gothic suspense, with stories that lean on tension, secrets, and a feeling that something is not quite right beneath ordinary life.

Although she is not widely documented in major reference sources, her novels have stayed visible through crime-fiction bibliographies, library listings, and reprints. That lasting interest suggests a writer whose moody, twisty storytelling still appeals to readers who enjoy classic mid-century suspense.