
author
1869–1951
A sharp, influential voice in German art criticism, this writer helped shape debates about modern art in the early 20th century. His essays and reviews made art feel urgent, public, and closely tied to the culture of his time.

by Karl Scheffler
Born in Hamburg in 1869 and later dying in Überlingen in 1951, he was a German art critic, publicist, and writer best known for his role in the world of modern art. He wrote extensively about painting, artists, and cultural life, and became one of the notable German commentators on art in the decades around 1900.
He is especially associated with the journal Kunst und Künstler, which he edited from 1906 onward. In that role he published a large number of articles and exhibition reviews, helping introduce readers to new artistic movements while also arguing forcefully for his own opinions.
His reputation rests on the combination of criticism, journalism, and cultural commentary in his work. Rather than treating art as something distant or purely academic, he brought it into public discussion and became an important early historian and critic of modern German art.