
author
1819–1888
A vivid voice from New England Transcendentalism, she moved in the same literary circles as Margaret Fuller and Ralph Waldo Emerson while building a body of poetry and children's writing of her own. Her work carries an imaginative, intimate spirit that still feels fresh.

by Caroline Sturgis Tappan, Lydia Maria Child
Born in Boston in either 1818 or 1819, she became known as Caroline Sturgis, or "Cary" Sturgis, before her marriage to William Aspinwall Tappan. Reliable sources agree that she was an American poet and artist closely connected with the Transcendentalist movement, and that she maintained important friendships and correspondence with figures including Margaret Fuller and Ralph Waldo Emerson.
She published poetry in The Dial, the key Transcendentalist periodical, and also wrote and illustrated books for children, including Rainbows for Children (1847) and The Magician’s Show Box, and Other Stories (1856). Archival records at Harvard and the Massachusetts Historical Society also show that her letters and manuscripts remain an important source for understanding the literary world around Emerson and Fuller.
She was part of a notably literary family—her sister Ellen Sturgis Hooper was also a poet—and her reputation has endured less through fame than through the distinctive, thoughtful presence she brought to the Transcendentalist circle. For listeners drawn to nineteenth-century American literature, she offers a more personal and quietly original window into that world.