
audiobook
by Oscar Wilde, James McNeill Whistler
WILDE v WHISTLER
Mr WHISTLER’S TEN O’CLOCK,
TENDERNESS IN TITE STREET
TO THE COMMITTEE OF THE “NATIONAL ART EXHIBITION”
QUAND MÊME!
THE HABIT OF SECOND NATURES
IN THE MARKET PLACE
PANIC
JUST INDIGNATION
A brisk, witty exchange unfolds as two of Victorian Britain’s most flamboyant minds clash over the very purpose of art. In their letters, the dashing playwright and the sharp‑tongued painter volley barbed observations, each defending a vision of beauty that borders on the philosophical and the outrageous. Their arguments are peppered with satirical sketches of critics, audiences, and the everyday world, turning a lecture on “the uselessness of lectures” into a theatrical duel of paradoxes.
The correspondence captures the era’s artistic ferment, revealing how personal style, social standing, and a taste for provocation fuel a debate that feels both timeless and freshly relevant. Readers hear the echo of salon gossip, the drama of public lectures, and the playful contempt the two men reserve for conventional taste.
Listening to these letters feels like eavesdropping on a private salon where brilliance and sarcasm mingle, offering a vivid portrait of two brilliant temperaments locked in a battle of ideas that still resonates today.
Full title
Wilde v Whistler Being an Acrimonious Correspondence on Art Between Oscar Wilde and James A McNeill Whistler Being an Acrimonious Correspondence on Art Between Oscar Wilde and James A McNeill Whistler
Language
en
Duration
~16 minutes (15K characters)
Publisher of text edition
Project Gutenberg
Original publisher
United Kingdom: privately printed, 1906.
Credits
Tim Lindell, Donald Cummings and the Online Distributed Proofreading Team at https://www.pgdp.net (This file was produced from images generously made available by The Internet Archive/American Libraries.)
Release date
Dec 31, 2022
Rights
Public domain in the USA.

1854–1900
Best known for sparkling wit and razor-sharp social comedy, this Irish writer turned drawing-room conversation into enduring literature. His work ranges from the haunting novel The Picture of Dorian Gray to some of the most beloved plays in English.
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1834–1903
Best known for the unforgettable portrait often called Whistler’s Mother, he was an American-born artist whose atmospheric night scenes, elegant portraits, and sharp wit made him one of the most distinctive figures in 19th-century art.
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by Oscar Wilde

by Oscar Wilde

by Oscar Wilde

by Oscar Wilde

by Oscar Wilde