
I WHY “WILD WALES” IS A SIMPLE ITINERARY
II BORROW’S EQUIPMENT FOR WRITING UPON THE WELSH LANGUAGE AND LITERATURE
III IS NOT “WILD WALES” WRITTEN BY A CELT AND NOT BY AN ANGLO-SAXON?
IV BORROW’S METHOD OF AUTOBIOGRAPHIC NARRATIVE COMPARED WITH THE METHODS OF DEFOE, WILKIE COLLINS, DICKENS AND THE ABBÉ PRÉVOST
V WHY ARE THE WELSH GYPSIES IGNORED IN “WILD WALES”?
VI CELT v SAXON
Transcribed from the June 1906 J. M. Dent edition by David Price, email ccx074@pglaf.org
ITINERARY
CHAPTER I
CHAPTER II
The narrator sets out on a summer‑autumn walk across Wales in 1854, recording each mile as it unfolded. Instead of the fanciful digressions of his earlier books, this account reads like a straightforward itinerary, offering unvarnished observations of towns, markets, and rugged coastlines. Along the way he notes the daily rhythms of the people he meets, capturing their customs, humour and the palpable pride of a nation steeped in its own traditions.
Interwoven with the travel narrative are lively sketches of the Welsh language and its literature, reflecting the author’s earnest, if imperfect, attempts to understand and translate local texts. Accompanied by his wife and step‑daughter, his perspective shifts between scholarly curiosity and simple, human encounters, giving listeners a vivid sense of mid‑Victorian Wales—its mountains, valleys, and the enduring spirit of its inhabitants.
Language
en
Duration
~22 hours (1274K characters)
Publisher of text edition
Project Gutenberg
Release date
Oct 8, 2011
Rights
Public domain in the USA.

1803–1881
Best known for turning restless travel and language learning into vivid books, this 19th-century English writer brought readers into roads, inns, and borderlands across Britain and Europe. His work mixes adventure, autobiography, and a deep fascination with Romani life and with the power of language itself.
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