
A WORD OF WELCOME:
ILLUSTRATIONS - From drawings in color by Alonzo Kimball
PART I - In which Certain Details regarding a Lost Opal are Set Forth.
PART II - Wherein the Gentle Art of Dining is Variously Described.
PART III - With Especial Reference to a Girl in a Steamer Chair.
PART IV - With a Detailed Account of a Dangerous Footpad.
PART V - In which Boggs Becomes Dramatic and Relates a Tale of Blood.
PART VI - Wherein Mac Dilates on the Human Side of "His Worship, the Chief Justice," and his Fellow Dogs.
PART VII - Containing Mr. Alexander MacWhirter's Views on Lord Ponsonby, Major Yancey, and their Kind.
PART VIII - In Which Murphy and Lonnegan Introduce Some Mysterious Characters.
In the October of 1905, a group of bohemian artists gathers around a newly‑installed hearth in Room 3 of an aging ten‑story building. Their host, the ever‑enthusiastic Sandy MacWhirter, has spent his childhood worshipping fire, and he will stop at nothing to recreate that comfort in a cramped, chimney‑less space. With the help of a flamboyant contractor, a makeshift chimney is erected, turning the modest floor into a warm sanctuary that quickly becomes the talk of the whole house.
The fire soon proves to be more than a source of heat—it cracks jokes, sighs, and even seems to converse with its admirers, drawing the eclectic residents into a lively ritual of storytelling and camaraderie. Artists like Boggs, Wharton, and Pitkin each try their own eccentric tricks on the flames, from blackening the grate to stacking logs upside down, creating a comic clash of old‑world reverence and modern experimentation. As the embers glow, the room fills with the scent of hickory and violet, inviting listeners to settle into the easy‑chair comfort of a shared, crackling narrative.
Language
en
Duration
~4 hours (260K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Juliet Sutherland, Mary Meehan and the Online Distributed Proofreading Team at https://www.pgdp.net
Release date
2010-11-11
Rights
Public domain in the USA.

1838–1915
Remembered as a lively American man of letters, he moved easily between engineering, painting, and fiction. His life fed his work, from major public projects to popular novels and travel writing.
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by Francis Hopkinson Smith

by Francis Hopkinson Smith

by Francis Hopkinson Smith

by Francis Hopkinson Smith

by Francis Hopkinson Smith

by Francis Hopkinson Smith

by Francis Hopkinson Smith

by Francis Hopkinson Smith