The White Rose of Langley

audiobook

The White Rose of Langley

by Emily Sarah Holt

EN·~8 hours·14 chapters

Chapters

14 total
1

Chapter One. - Nobody’s Child.

32:45
2

Chapter Two. - Somebody’s child.

39:46
3

Chapter Three. - Strange Tales.

40:50
4

Chapter Four. - In the Scriptorium.

23:14
5

Chapter Five. - Changes and Chances of this Mortal Life.

29:07
6

Chapter Six. - True Gold and False.

42:36
7

Chapter Seven. - Faithful unto Death.

30:27
8

Chapter Eight. - Moves on the Chessboard.

44:48
9

Chapter Nine. - Plot and Counterplot.

38:13
10

Chapter Ten. - How the Rose was Grafted.

42:39

Description

In a bleak winter forest, a weary mother cradles her eight‑year‑old daughter, their lives reduced to cold shelter and whispered prayers. Their dialogue drifts between bitter resignation and fragile hope, revealing a past tangled with religious vows, loss, and a desperate search for redemption. The stark, lyrical language paints the forest as both refuge and prison, setting a tone of stark survival against a backdrop of medieval superstition.

As the child’s innocent questions stir long‑buried memories, the mother’s inner turmoil surfaces—her former life as a novice, her sense of sin, and the haunting question of how a merciful God meets those deemed unworthy. Listeners are drawn into a tense, intimate portrait of a mother’s love battling despair, while subtle hints of a larger mystery begin to stir beneath the snow‑filled silence. The opening promises a haunting journey through faith, guilt, and the fierce bond that may yet guide them toward an uncertain destiny.

Details

Full title

The White Rose of Langley A Story of the Olden Time

Language

en

Duration

~8 hours (516K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Nick Hodson of London, England

Release date

2007-10-31

Rights

Public domain in the USA.

About the author

ES

Emily Sarah Holt

1836–1893

A prolific Victorian writer of historical fiction, she filled her novels with medieval settings, strong moral purpose, and a clear Protestant outlook. Much of her work was written for younger readers, but it still offers a vivid glimpse of 19th-century popular storytelling.

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