The Well in the Desert

audiobook

The Well in the Desert

by Emily Sarah Holt

EN·~2 hours·12 chapters

Chapters

12 total
1

Preface.

1:14
2

Chapter One. - My Lady’s Bower is swept.

15:15
3

Chapter Two. - Hidden Treasure.

14:18
4

Chapter Three. - Guy of Ashridge.

15:00
5

Chapter Four. - Mother Joan.

22:55
6

Chapter Five. - The story of Isabel.

20:44
7

Chapter Six. - Elaine.

12:39
8

Chapter Seven. - In the cell of the Grey Lady.

16:11
9

Chapter Eight. - The Veil uplifted.

10:14
10

Chapter Nine. - Together.

20:24

Description

In a world where water once meant life or death, the story invites listeners to contemplate the deeper wells we all carry within—those of faith, longing, and the search for something pure amid a landscape of scarcity. The opening preface frames the desert’s literal thirst as a mirror for the spiritual yearning that drives every traveler, hinting that the true oasis may lie in unexpected places.

The narrative begins on a bright June morning at a weather‑worn castle perched on the Sussex coast. A veiled lady, cradling a small child, whispers a farewell that feels both intimate and ominous, while the assembled few watch in hushed reverence. Soon after, a lavish procession arrives, led by a striking gentleman and a young lady whose confident smile masks hidden purpose, as they inquire about the “Lady’s bower” that remains to be swept.

These early moments set a tone of quiet tension and layered symbolism, promising a journey where personal duty, hidden histories, and the promise of an unseen well intertwine, inviting the listener to follow the mystery toward its first revelations.

Details

Full title

The Well in the Desert An Old Legend of the House of Arundel

Language

en

Duration

~2 hours (168K characters)

Publisher of text edition

Project Gutenberg

Credits

Produced by Nick Hodson of London, England

Release date

2007-10-20

Rights

Public domain in the USA.

About the author

ES

Emily Sarah Holt

1836–1893

A prolific Victorian writer of historical fiction, she filled her novels with medieval settings, strong moral purpose, and a clear Protestant outlook. Much of her work was written for younger readers, but it still offers a vivid glimpse of 19th-century popular storytelling.

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