
Rodney, a dedicated sculptor, wakes to a chilling scene: his studio door ajar, delicate plaster shattered, and the unfinished Virgin and Child reduced to a broken lump of clay. The charwoman’s frantic attempts to help only deepen his panic as he confronts the loss of a work he had just completed, a piece that could have secured his future commissions. The incident forces him to grapple with the fragility of his art and the uneasy balance between his creative ambitions and the harsh realities of his surroundings.
Amid the wreckage, Rodney reflects on his impending departure from Ireland, a decision driven by frustration with a cultural landscape that seems to stifle artistic growth. He debates whether to continue pursuing his vision in a place that offers more models, resources, and inspiration. As he stands amid the debris, his resolve is tested, setting the stage for a journey that will challenge his identity as an artist and his place in a world that feels both oppressive and full of possibility.
Language
en
Duration
~9 hours (521K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Charles Franks, Robert Rowe, and the Online Distributed Proofreading Team. HTML version by Al Haines.
Release date
2003-05-01
Rights
Public domain in the USA.

1852–1933
An Irish writer who helped bring French-style realism and naturalism into English-language fiction, he was also a sharp-eyed critic and memoirist with one foot in Paris and the other in Ireland. Best known now for novels like Esther Waters, he spent his career testing new ways to write about art, society, and inner life.
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