
The Tatler
The Tatler
List of Contents (created by transcriber)
To Edward Wortley Montagu, Esq.
No. 50. [Steele.
No. 51. [Steele.
No. 52. [Steele.
No. 53. [Steele.
No. 54. [Steele.
No. 55. [Steele.
A lively snapshot of early‑18th‑century London, this volume gathers the witty essays that originally appeared in a short‑lived periodical celebrated for its keen observation and gentle mock‑ery. Edited with scholarly notes, the collection preserves the sparkling dialogue between two of the era’s most inventive writers, whose conversational tone brings the city’s salons, coffee‑houses and literary circles to vivid life. The introduction frames the pieces as both entertainment and a subtle moral compass, inviting listeners to enjoy the blend of humor and insight.
The essays unfold as a series of brief, self‑contained sketches, each turning a spotlight on the manners, fashions and foibles of contemporary society. Beginning with a playful dedication to a well‑connected gentleman, the first entry retells the legendary tale of Orlando the Fair, setting a tone of lively storytelling tempered by sharp commentary. As the pieces progress, readers encounter a mix of satire, personal reflection and gentle critique that captures the restless spirit of a city on the cusp of modernity.
Language
en
Duration
~11 hours (661K characters)
Publisher of text edition
Project Gutenberg
Credits
Produced by Richard Tonsing, Jonathan Ingram, and the Online Distributed Proofreading Team at http://www.pgdp.net
Release date
May 26, 2014
Rights
Public domain in the USA.

1672–1729
Best known for helping invent the modern magazine essay, this lively Anglo-Irish writer shaped the tone of early 18th-century journalism. His work with Joseph Addison on The Tatler and The Spectator mixed wit, observation, and moral reflection in a way that still feels familiar today.
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1672–1719
Best known for helping shape the lively essay style of the early 1700s, this English writer brought wit, clarity, and conversation into print. His work with Richard Steele on The Tatler and The Spectator helped define a new kind of literary journalism.
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